{"id":507,"date":"2018-10-29T21:02:09","date_gmt":"2018-10-29T20:02:09","guid":{"rendered":"http:\/\/cosmos.ircam.fr\/?p=507"},"modified":"2025-08-14T01:52:32","modified_gmt":"2025-08-14T00:52:32","slug":"london-international-piano-symposium-keynote","status":"publish","type":"post","link":"https:\/\/cosmos.isd.kcl.ac.uk\/?p=507","title":{"rendered":"London International Piano Symposium Keynote"},"content":{"rendered":"\n

Cristine McKie does it again … pulls off the third annual\u00a0London International Piano Symposium<\/a>, this time back at the Royal Academy of Music. The conference brought together pianists, pedagogues, and researchers from around the world. I immensely enjoyed the great company\u2014all the laughter, good food, beautiful music\u2014and carefully curated single-track series of interesting talks on all aspects of piano performance. It was a pleasure to be amongst pianists.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Research related to the COSMOS project was presented at the opening keynote lecture Saturday morning, From Sequence to Structure: Performance Decisions and Analytical Thinking<\/em>. Photo on left shows the stage setup at the David Josefowitz Recital Hall. I was one of three keynote speakers at LIPS 2018, together with Jonathan Summers (Classical Music Curator at the British Library) and Georgia Volioti (Music Department, University of Sussex).<\/p>\n\n\n\n

<\/p>\n\n\n\n

London International Piano Symposium<\/strong>
Royal Academy of Music<\/strong><\/p>\n\n\n\n

PROGRAMME 2018<\/p>\n\n\n\n

Saturday 27th October<\/strong>
David Josefowitz Recital Hall<\/em><\/p>\n\n\n\n

Registration 8.30<\/p>\n\n\n\n

9.0
Keynote Speaker <\/strong>
Prof Elaine Chew, Queen Mary, University of London
\u2018From Sequence to Structure: Performance Decisions and Analytical Thinking\u2019.<\/p>\n\n\n\n

The Brain<\/strong><\/em>
10.0. Barbara Fast: \u2018Avoiding the \u2018negativity bias\u2019 in piano teaching\u2019.
10.30 Tamara Wilcox: \u2018Neuroscience: Linking the music, brain plasticity & motor development.<\/p>\n\n\n\n

11.00 BREAK<\/p>\n\n\n\n

11.30 Maria Herrojo Ruiz: \u2018Brain-body interactions: Modulating perceptual, affective & cognitive processes\u2019.<\/p>\n\n\n\n

The Body in Piano Performance<\/strong><\/em>
12.0 Satu Paavola: \u2018Bodily aspects of singing: Bel Canto breathing & sound production\u2019
12.30 Deborah Nemko: \u2018When offered the opportunity to ‘fight or flight’ – choose fight! A performance tool kit\u2019<\/p>\n\n\n\n

1.0 LUNCH <\/p>\n\n\n\n

2.0 Christina Quilco: \u2018Virtuosic minimalism without injury to the performer\u2019
2.40 Zelia Cheke & Christina Capparelli Girling: \u2018An ergonomic approach to piano performance & memory\u2019<\/p>\n\n\n\n

3.10 BREAK<\/p>\n\n\n\n

3.40 Eugene Gaub: \u2018Wave hands like clouds: Applying principles of Tai Chi at the piano\u2019
4.10 Christina Kobb: \u2018Improve your keyboard playing by applying the technique of 1820s Vienna\u2019
4.50. Marta Torres del Rincon \u2018Levinskaya, Matthay, Breithaupt, and E.J.Bach: Definitive techniques?\u2019<\/p>\n\n\n\n

Sunday 28th October<\/strong>
Angela Burgess Recital Hall <\/em><\/p>\n\n\n\n

10.30-1.30. The Piano Forum: \u2018Who Do You Think You Are\u2019?
Film: Madame Sousatska<\/p>\n\n\n\n

12.20 BREAK<\/p>\n\n\n\n

12.40 Discussions with:
Prof John Sloboda, Psychologist, Guildhall Sch of Music & Drama; Murray McLachlan, Chair of EPTA; Cristine MacKie, author of Rethinking Piano Performance: The Mindful Body; Dr Sam Thompson, Clinical Psychologist, The Tavistock and Portman NHS Foundation Trust<\/p>\n\n\n\n

1.30 BREAK<\/p>\n\n\n\n

Pedagogy, Tradition & the Music<\/strong>
2.30 Gabriel Mayer: \u2018Rhetorical influences: Mozart to Liszt\u2019’.
3.0 Cheryl Wenn Min Tan: \u2018Purely pedagogical stances? Rethinking Mozart’s keyboard sonatas.<\/p>\n\n\n\n

3.30 BREAK<\/p>\n\n\n\n

4.0 Eumni Ko: \u2018The Orchard Project: A new learning experience\u2019.
4.30 Sarah Stranger: \u2018Piano versus harpsichord: Can one inform the other?<\/p>\n\n\n\n

Issues on and about early recordings<\/strong>
5.10 Inja Stanovic: \u2019Early recordings as a source of \u2018flow\u2019 in piano performance\u2019<\/p>\n\n\n\n

6.0- 7.0 Piano Recital <\/strong>
Alim Beisembayev, winner of the junior Van Cliburn Competition<\/strong><\/p>\n\n\n\n

Monday 29th October<\/strong>
Pushkin House 5A, Bloomsbury Square, London, WC1A 2TA, Holborn St.<\/em><\/p>\n\n\n\n

9.0
Keynote Speaker<\/strong>
Jonathan Summers, Curator of Classical Music Recordings. (Sound & Vision Collections Division, British Library).<\/p>\n\n\n\n

10.0
Keynote Speaker<\/strong>
Dr Georgia Volioti, Music Department, University of Sussex.
‘Reflections on Classical Sound Recordings: Prospects and Challenges for Performance Studies’<\/p>\n\n\n\n

The Digitalisation of Piano Rolls<\/strong>
10.45 Carolina Estrada Bascunana: \u2018Historical performance practice of Spanish piano music\u2019<\/p>\n\n\n\n

11.15 BREAK<\/p>\n\n\n\n

11.45 Mengjliao Yan: \u2018Stravinsky’s recordings: A vital source for interpreting his piano works’ to ‘How performers can approach the piano work of Stravinsky: interpretation and approaches to his three distinct periods piano works\u2019<\/p>\n\n\n\n

Nationalism<\/strong>
12.15 Anna Michels: \u2018An Interpretational Journey- Ronald Center Piano Sonata as case study\u2019<\/p>\n\n\n\n

BREAK <\/p>\n\n\n\n

Futurism <\/strong>
2.0 Andr\u00e9s Felipe Molano Ruiz: \u2018After the traits of the piano futurists of the early twentieth century\u2019<\/p>\n\n\n\n

Performing Styles <\/strong>
2.30 Xuefeng Zhou & Tian Hoa: \u2018The performing \u201cprinciple\u201d of timbre of phrase accents\u2019<\/p>\n\n\n\n

3.0 BREAK<\/p>\n\n\n\n

3.30 Tihamer Hlavacsek: \u2018The undiscovered Goldmark 1830- 1915\u2019
4.10 Lise Meling: \u2018The piano: A gendered Instrument?\u2019
4.40 Stephen Hussarik: \u2018Pedal registrations: Resurrecting the drama in Beethoven\u2019s Arietta from Opus 111\u2019<\/p>\n\n\n\n

7.30 CONFERENCE DINNER 
La Ferme, 102-104 Farringdon Rd, London EC1R 3EA<\/p>\n","protected":false},"excerpt":{"rendered":"

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