{"id":558,"date":"2019-07-04T12:59:25","date_gmt":"2019-07-04T11:59:25","guid":{"rendered":"http:\/\/cosmos.ircam.fr\/?p=558"},"modified":"2021-02-04T12:18:35","modified_gmt":"2021-02-04T11:18:35","slug":"postdoc-in-mathematical-and-computational-modeling-of-musical-structures","status":"publish","type":"post","link":"https:\/\/cosmos.isd.kcl.ac.uk\/?p=558","title":{"rendered":"Postdoc in mathematical and computational modeling of musical structures"},"content":{"rendered":"\n<p class=\"has-very-light-gray-color has-vivid-cyan-blue-background-color has-text-color has-background\"><strong>This position is now closed.<\/strong><\/p>\n\n\n\n<p><strong>Job description also at CNRS Job Portal <a rel=\"noreferrer noopener\" aria-label=\"CNRS portal (opens in a new tab)\" href=\"http:\/\/emploi.cnrs.fr\/Offres\/CDD\/UMR9912-ANNVAU-003\/Default.aspx?lang=EN\" target=\"_blank\">in English<\/a> and <a rel=\"noreferrer noopener\" aria-label=\"French (opens in a new tab)\" href=\"http:\/\/emploi.cnrs.fr\/Offres\/CDD\/UMR9912-ANNVAU-003\/Default.aspx\" target=\"_blank\">in French<\/a>. Apply <a href=\"https:\/\/emploi.cnrs.fr\/Offres\/CDD\/UMR9912-ANNVAU-003\/Default.aspx?lang=EN\">HERE<\/a><\/strong><a href=\"https:\/\/emploi.cnrs.fr\/Offres\/CDD\/UMR9912-ANNVAU-003\/Default.aspx?lang=EN\"><strong>.<\/strong><\/a><br>Note: applications are solicited in English but instructions are in French; non French speakers may find the <a rel=\"noreferrer noopener\" aria-label=\"DeepL online translater (opens in a new tab)\" href=\"https:\/\/www.deepl.com\/translator\" target=\"_blank\">DeepL online translater<\/a> useful.<\/p>\n\n\n\n<p><strong>Title of post<\/strong><\/p>\n\n\n\n<p class=\"has-very-light-gray-background-color has-background\">Postdoc (M\/F) in the mathematical and computational modeling of musical structures<\/p>\n\n\n\n<p><strong>General information<\/strong><\/p>\n\n\n\n<p class=\"has-very-light-gray-background-color has-background\"><em>Reference:<\/em> UMR9912-ANNVAU-003<br><em>Workplace:<\/em> PARIS 04 <br><em>Date of publication:<\/em> Thursday, 4 July 2019 <br><em>Scientific Responsible name: <\/em>Elaine Chew <br><em>Type of contract:<\/em> CDD Scientific <br><em>Contract period:<\/em> 12 months with the possibility to renew up to two times for another 12 months each <br><em>Expected start date of thesis:<\/em> 15 October 2019 or later <br><em>Proportion of work:<\/em> Full time <br><em>Remuneration:<\/em> from \u20ac2695,56 monthly gross commensurate with experience <br><em>Desired level of education: <\/em>PhD <br><em>Experience required: <\/em>N\/A<\/p>\n\n\n\n<p><strong>Missions<\/strong><\/p>\n\n\n\n<p>Applications are invited for a postdoctoral researcher position as part of the ERC ADG Project&nbsp;<strong>COSMOS: Computational Shaping and Modeling of Musical Structures <\/strong>(European Research Council Advanced Grant COSMOS, Principal Investigator Elaine Chew, cosmos.ircam.fr). The work will take place at the Sciences and Technologies of Music and Sound (UMR9912-STMS) Laboratory at IRCAM in the center of Paris.<\/p>\n\n\n\n<p>COSMOS aims to use data science,\noptimization\/data analytics, and citizen science to study musical structures as\nthey are experienced and created in performance, and in unusual sources such as\narrhythmic cardiac data. <\/p>\n\n\n\n<p>The research topics will focus on developing mathematical\nrepresentations and computer tools and interfaces to explore the space of\npossible interpretations in musical performance through the finding and\nmanipulation of musical structures shaped in performance. Due to similarities between music and\ncardiac sequences, the techniques developed for characterizing variations in\nperformance will be simultaneously used to study electrocardiographic\nrecordings of abnormal heart rhythms.<\/p>\n\n\n\n<p>The project\u2019s\nresearch themes are as follows: i) to find new ways to represent and explore variations\nin recorded performance and time-varying sequences; ii) to harness volunteer\nthinking (citizen science) for music performance research by focussing on\nstructures experienced and problem solving; iii) to create sandbox environments\nto experiment with making performed structures; iv) to create theoretical\nframeworks to discover the reasoning behind the structures perceived and made;\nand, v) to foster community engagement by training experts (including retired\nmusicians) to provide feedback on structure solutions so as to increase public\nunderstanding of the creative work in music performance. <\/p>\n\n\n\n<p>The\ncandidate will be in charge of developing mathematical models of musical\nstructures such as grouping (chunking), articulation, gestural units,\nprominence and focal points; computational techniques for abstracting such\nstructures from expressive music performance and electrocardiographic data;\ndevise human-in-the-loop learning strategies for optimizing the automatic\nanalysis methods; participate in the design of interactive interfaces to\ncollect the necessary training data; and, invent ways to optimize the methods\nfor scalability. Responsibilities include coordinating research, planning and\ncarrying out&nbsp; the experiments, writing\narticles\/reports\/proposals, and presenting seminars in English.<\/p>\n\n\n\n<p>There exist complementary\nfunding opportunities through the ERC to allow project collaborators to engage\nmore fully in proof of concept activities to turn research outputs into\ncommercially or socially valuable propositions.<\/p>\n\n\n\n<p><strong>Activities<\/strong><\/p>\n\n\n\n<p>The postdoctoral researcher will be in charge of developing scientific research methodologies for large-scale\nstudies to automatically extract perceived and inherent structures in music\nperformance and cardiac arrhythmia data, and to harness volunteer thinking to\ninterrogate the experience and the creative process of apprehending and manipulating\nthese structures. <\/p>\n\n\n\n<p>The postdoc is expected to contribute to the study and analysis of\nmusical structures in music performance and cardiac arrhythmia data, including MIDI\nrecordings of legendary and newly recorded performances, and anonymized\nelectrocardiographic data. The work\nwill focus on data acquisition and preparation, and transformation of this\nprimary data into musical structures.<\/p>\n\n\n\n<p>Activities will include participating in the development and\nimplementation of scalable computer algorithms and scientific visualizations,\noptimization of the algorithms and analyses, in-depth investigations into the\nreasons for the emergence of particular musical structures,\nconducting\/monitoring of citizen science experiments, and publication of\nindividual and\/or joint articles on the analytical results and scientific\nfindings.<\/p>\n\n\n\n<p>It is expected that the methods developed and resulting analyses will\nultimately make it possible to explore the space of possible musical\ninterpretations, to uncover new forms of expressivity, to provide reasonings\nfor interpretive choices, and change the way people perceive musical\nperformance. Applying the methods to electrocardiographic data will provide novel\ndescriptors and methodologies to characterize and stratify abnormal heart\nrhythms, with implications for individualized diagnostics and precision\nmedicine.<\/p>\n\n\n\n<p><strong>Skills<\/strong><\/p>\n\n\n\n<p>The research is strongly interdisciplinary, combining computing,\nmathematics, and music performance studies, with application to cardiovascular\nscience. <\/p>\n\n\n\n<p>Candidates should hold a doctorate and have an excellent academic\nbackground in one or more of the following fields: computer science, mathematical\nsciences (including operations research and statistics), music technology or a\nrelated field. Additional skills in musicology, music performance, music\ntheory, music composition, or bio- or biomedical engineering are highly\ndesirable.<\/p>\n\n\n\n<p>Proven research skills evidenced by a least one publication as the first\nor second author relating to the subject or activities of the project are\nrequired. Strong computer skills are an advantage, including the design,\ndevelopment and use of software, tools and methodologies for scientific\ncalculation or experimentation. Additional skills in data science,\noptimization, statistics, scientific visualization, machine learning,\ncardiovascular signal processing or computational music perception and\ncognition will be appreciated.<\/p>\n\n\n\n<p>Fluency in spoken and written English is a requirement; ability to operate\nin French is a plus. The post requires sound knowledge of computer programming languages\nsuch as Python, Matlab, or C++. A willingness to learn signal processing\nsoftware and other dedicated languages is also expected. The candidate should\nbe flexible and adaptable, and willing to learn and develop new skills.<\/p>\n\n\n\n<p>Requirements include a high level of competencies in the areas of formulating\nproblems and arguing a case, performing scientific analyses, strong powers of\nreasoning, and an ability to summarize ideas and provide critical evaluation. Essential\nskills include abilities to work independently and take initiatives while managing\nrisks, and being accountable for one\u2019s own actions. Candidates must have a\npositive attitude to working collaboratively in and managing a multi-disciplinary\nteam. Hence, strong communication and organizational skills will be extremely\nuseful.<\/p>\n\n\n\n<p><strong>Work context<\/strong><\/p>\n\n\n\n<p>The research will be conducted at the UMR 9912 STMS (Sciences and\nTechnologies of Music and Sound), a joint research unit of the CNRS (Centre\nnational de la recherche scientifique), IRCAM (Institut de Recherche\nCoordination Acoustique\/Musique), Sorbonne University, and the French Ministry\nof Culture. STMS is located at IRCAM (1 place Igor-Stravinsky, 75004 Paris), in\nthe heart of Paris. IRCAM is a world renowned center for contemporary music\nproduction; it is organizationally linked to the Pompidou Center.<\/p>\n\n\n\n<p>Facilities include music studios at IRCAM. In addition, researchers have\naccess to IRCAM\u2019s software, computing facilities, recording equipment, and\nmedia library, as well as the CNRS and Sorbonne University\u2019s online libraries. As\npart of the ERC COSMOS project, we are acquiring a reproducing piano that is\nunique in Europe. The data resources will include\nMIDI recordings of legendary performances and anonymized electrocardiographic\ndata. <\/p>\n\n\n\n<p><strong>Constraints and risks<\/strong><\/p>\n\n\n\n<p>Short periods of travel within France and abroad, such as to conferences to present accepted peer-reviewed papers and posters, should be expected. Candidates for this position should be aware that the offices of most of IRCAM\u2019s research teams are in an underground building with a central skylight.<\/p>\n\n\n\n<p><strong>Supplemental information<\/strong><\/p>\n\n\n\n<p>Applications must include at the minimum a detailed CV; two references (people\nwho may be contacted); a one-page cover letter; the abstract of the doctoral\nthesis; and, up to three samples of writing such as published articles or\nthesis reports.<\/p>\n\n\n\n<p>The closing date for sending applications is <strong>1 September 2019<\/strong>. Interviews will take place in the latter half of\nSeptember 2019. The expected start date is 15 October 2019 or later, depending\non whether the candidate is French, European, or from a non-EU country.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This position is now closed. Job description also at CNRS Job Portal in English and in French. Apply HERE.Note: applications are solicited in English but instructions are in French; non French speakers may find the DeepL online translater useful. Title of post Postdoc (M\/F) in the mathematical and computational modeling of musical structures General information [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":574,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139,200],"tags":[98,143,142,97,140,141,87],"class_list":["post-558","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-open-positions","category-team","tag-arrhythmia","tag-computation","tag-mathematical-sciences","tag-performance","tag-positions","tag-postdoc","tag-structure"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Postdoc in mathematical and computational modeling of musical structures - COSMOS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cosmos.isd.kcl.ac.uk\/?p=558\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Postdoc in mathematical and computational modeling of musical structures - COSMOS\" \/>\n<meta property=\"og:description\" content=\"This position is now closed. 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Job description also at CNRS Job Portal in English and in French. Apply HERE.Note: applications are solicited in English but instructions are in French; non French speakers may find the DeepL online translater useful. 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