{"id":561,"date":"2019-07-04T12:58:06","date_gmt":"2019-07-04T11:58:06","guid":{"rendered":"http:\/\/cosmos.ircam.fr\/?p=561"},"modified":"2021-02-04T12:19:52","modified_gmt":"2021-02-04T11:19:52","slug":"phd-in-computational-data-science-for-musical-structure-discovery","status":"publish","type":"post","link":"https:\/\/cosmos.isd.kcl.ac.uk\/?p=561","title":{"rendered":"PhD in computational data science for musical structure discovery"},"content":{"rendered":"\n<p class=\"has-very-light-gray-color has-vivid-cyan-blue-background-color has-text-color has-background\"><strong>This position is now closed.<\/strong><\/p>\n\n\n\n<p><strong>Job description will shortly be on the CNRS Job Portal <a rel=\"noreferrer noopener\" aria-label=\" (opens in a new tab)\" href=\"https:\/\/emploi.cnrs.fr\/Offres\/Doctorant\/UMR9912-ANNVAU-002\/Default.aspx?lang=EN\" target=\"_blank\">in English<\/a> and <a rel=\"noreferrer noopener\" aria-label=\"in French (opens in a new tab)\" href=\"https:\/\/emploi.cnrs.fr\/Offres\/Doctorant\/UMR9912-ANNVAU-002\/Default.aspx\" target=\"_blank\">in French<\/a> with application link. Apply <a rel=\"noreferrer noopener\" aria-label=\"HERE (opens in a new tab)\" href=\"https:\/\/emploi.cnrs.fr\/Offres\/Doctorant\/UMR9912-ANNVAU-002\/Default.aspx?lang=EN\" target=\"_blank\">HERE<\/a>.<\/strong><br>Note: applications are solicited in English but instructions are in French; non French speakers may find the <a rel=\"noreferrer noopener\" href=\"https:\/\/www.deepl.com\/translator\" target=\"_blank\">DeepL online translater<\/a> useful.<\/p>\n\n\n\n<p><strong>Title of post<\/strong><\/p>\n\n\n\n<p class=\"has-very-light-gray-background-color has-background\">PhD M\/F in computational data science for music structure discovery<\/p>\n\n\n\n<p><strong>General information<\/strong><\/p>\n\n\n\n<p class=\"has-very-light-gray-background-color has-background\"><em>Reference:<\/em> UMR9912-ERC COSMOS-2019\/02 <br><em>Workplace:<\/em> PARIS 04 <br><em>Date of publication:<\/em> Thursday, 4 July 2019 <br><em>Scientific Responsible name: <\/em>Elaine Chew <br><em>Type of contract:<\/em> CDD Doctoral <br><em>Contract period:<\/em> 36 months <br><em>Expected start date of thesis:<\/em> 15 October 2019 or later <br><em>Proportion of work:<\/em> Full time <br><em>Remuneration:<\/em> \u20ac2135 monthly gross<\/p>\n\n\n\n<p><strong>Description of the thesis subject<\/strong><\/p>\n\n\n\n<p>Applications are invited for a\nPhD position as part of the ERC ADG project <strong>COSMOS: Computational Shaping\nand Modeling of Musical Structures <\/strong>(European\nResearch Council Advanced Grant, COSMOS, Principal Investigator: Elaine Chew, cosmos.ircam.fr).<\/p>\n\n\n\n<p>COSMOS aims to use data science,\noptimization\/data analytics, and citizen science to study musical structures as\nthey are experienced and created in performance, and in unusual sources such as\narrhythmic cardiac data. <\/p>\n\n\n\n<p>The project\u2019s research\nthemes are as follows: i) to find new ways to represent and explore variations\nin recorded performance and time-varying sequences; ii) to harness volunteer\nthinking (citizen science) for music performance research by focussing on\nstructures experienced and problem solving; iii) to create sandbox environments\nto experiment with making performed structures; iv) to create theoretical\nframeworks to discover the reasoning behind the structures perceived and made;\nand, v) to foster community engagement by training experts (including retired\nmusicians) to provide feedback on structure solutions so as to increase public\nunderstanding of the creative work in music performance (cf. cosmos.ircam.fr).<\/p>\n\n\n\n<p>The proposed thesis will focus on developing mathematical\nrepresentations and computer tools and interfaces to explore the space of\npossible interpretations in musical performance through the finding and\nmanipulation of musical structures shaped in performance. Because of similarities between music and\ncardiac sequences, the techniques developed for characterizing variations in\nperformance will be simultaneously used to study electrocardiographic\nrecordings of abnormal heart rhythms.<\/p>\n\n\n\n<p>The work will focus\non data acquisition and preparation, and transformation of this primary data\ninto musical structures by creating a vocabulary of musical structures such as groupings\n(chunking), articulation, gestural units, prominence, and focal points; devising\nmathematical and graphical representations of these structures; designing\nengaging interfaces and deploying them for large-scale participatory markup of\nsuch structures; using optimization and statistical techniques to analyze the\ncitizen science data; and, devising and implementing computer algorithms to\nautomatically extract the musical structures.<\/p>\n\n\n\n<p>There exist complementary funding opportunities through the ERC to allow\nproject collaborators to engage more fully in \u201cproof of concept\u201d activities to\nturn research outputs into commercially or socially valuable propositions.<\/p>\n\n\n\n<p><em>Bibliographical references:<\/em><\/p>\n\n\n\n<p>Chew,\nE. (2018). Notating disfluencies and temporal deviations in music and\narrhythmia. <em>Music &amp; Science<\/em>, Volume 1, published online Sep 24,\n2018, pp. 1-22. <\/p>\n\n\n\n<p>Chew,\nE. (2016). Playing with the edge: Tipping points and the role of\ntonality.&nbsp; In Stephen McAdams, David Temperley, Alexander Rozin (eds.):\nMilestones in Music Cognition Special Issue, <em>Music Perception<\/em>, 33(3):344-366.doi: 10.1525\/MP.2016.33.03.344.<\/p>\n\n\n\n<p>Herremans,\nD., E. Chew (2016). Tension Ribbons: Quantifying and visualising tonal tension.\nIn Proceedings of the Second International Conference on Technologies for Music\nNotation and Representation (TENOR), Anglia Ruskin University, Cambridge, May\n27-29, 2016.<\/p>\n\n\n\n<p>Smith,\nJ. B. L., I. Schankler and E. Chew (2014). Listening as a Creative Act:\nMeaningful Differences in Structural Annotations of Improvised Performances. <em>Music Theory Online<\/em>, 20(3). <\/p>\n\n\n\n<p>Smith, J.B.L. and\nE. Chew (2013). Using Quadratic Programming to Estimate Musical Attention from\nSelf-Similarity Matrices.&nbsp; In Proceedings\nof ACM Multimedia, October 21-25,\n2013. <em>MM<\/em>&#8217;13,\nBarcelona, Catalunya, Spain, 113-122.<\/p>\n\n\n\n<p><strong>Work context<\/strong><\/p>\n\n\n\n<p>The research will be conducted at the UMR 9912 STMS (Sciences and Technologies\nof Music and Sound), a joint research unit of the CNRS (Centre national de la\nrecherche scientifique), IRCAM (Institut de Recherche Coordination\nAcoustique\/Musique), Sorbonne University, and the French Ministry of Culture.\nSTMS is located at IRCAM (1 place Igor-Stravinsky, 75004 Paris), in the heart\nof Paris. IRCAM is a world renowned center for contemporary music production;\nit is organizationally linked to the Pompidou Center.<\/p>\n\n\n\n<p>Facilities include music studios at IRCAM. In addition, researchers have\naccess to IRCAM\u2019s software, computing facilities, recording equipment, and\nmedia library, as well as the CNRS and Sorbonne University\u2019s online libraries. As\npart of the ERC COSMOS project, we are acquiring a reproducing piano that is\nunique in Europe. The data resources will include\nMIDI recordings of legendary performances and anonymized electrocardiographic\ndata of cardiac arrhythmias.<\/p>\n\n\n\n<p><strong>Constraints and risks<\/strong><\/p>\n\n\n\n<p>Short periods of travel within France and abroad, such as to conferences\nto present accepted peer-reviewed papers and posters, should be expected. Candidates\nfor this position should be aware that the offices of most of IRCAM\u2019s research\nteams are in an underground building with a central skylight.<\/p>\n\n\n\n<p><strong>Supplementary information<\/strong><\/p>\n\n\n\n<p>Candidates should have an excellent background (Master\u2019s or Bachelor\u2019s\ndegree) in one or more of the following fields: computer science, mathematical\nsciences (including operations research and statistics), music technology, or a\nrelated field. Additional skills in musicology, musical performance, music\ntheory, music composition, or bio- or biomedical engineering are highly\ndesirable. <\/p>\n\n\n\n<p>Essential skills include the ability to design, develop, and use\nscientific computing software, tools, and methodologies, and experience in applying\ndata science techniques such as optimization, statistics, scientific\nvisualization, and machine learning.&nbsp; The\nwork requires sound knowledge of programming languages such as Python, Matlab, or\nC++. A willingness to learn signal processing software and other dedicated\nlanguages is also expected. Flexibility and adaptability, creativity and\nauthonomy, as well as the willingness to learn and develop one\u2019s skills are important.<\/p>\n\n\n\n<p>Strong written and oral communication skills in English (ability to operate\nin French is desirable) so as to be able to present at international\nconferences and write articles in scientific publications are essential.<\/p>\n\n\n\n<p>We are looking for a PhD candidate who will become fully integrated in\nthe project\u2019s interdisciplinary team. The ability to work collaboratively with\nothers of diverse backgrounds and skill sets will be essential. Part of the\nproject will involve the organizing of events and liaising with stakeholders;\nhence, strong communication and organizational skills will also be useful.<\/p>\n\n\n\n<p><strong>Other:<\/strong><\/p>\n\n\n\n<p>Applications must include a detailed CV; at least two references (people\nwho may be contacted); a one-page cover letter; a one-page abstract of the\nMaster\u2019s thesis if applicable; up to three samples of writing such as published\narticles; and, documentation of grades obtained for the Master\u2019s or Bachelor\u2019s degree.<\/p>\n\n\n\n<p>The closing date for sending applications is <strong>1 September 2019<\/strong>. Interviews will take place the latter half of\nSeptember 2019. The expected start date is 15 October 2019 or later, depending\non whether the candidate is French, European, or from a non-EU country.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This position is now closed. Job description will shortly be on the CNRS Job Portal in English and in French with application link. Apply HERE.Note: applications are solicited in English but instructions are in French; non French speakers may find the DeepL online translater useful. Title of post PhD M\/F in computational data science for [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":576,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[139,200],"tags":[98,143,135,97,144,140,87],"class_list":["post-561","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-open-positions","category-team","tag-arrhythmia","tag-computation","tag-data-science","tag-performance","tag-phd","tag-positions","tag-structure"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PhD in computational data science for musical structure discovery - COSMOS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cosmos.isd.kcl.ac.uk\/?p=561\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PhD in computational data science for musical structure discovery - COSMOS\" \/>\n<meta property=\"og:description\" content=\"This position is now closed. 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Job description will shortly be on the CNRS Job Portal in English and in French with application link. Apply HERE.Note: applications are solicited in English but instructions are in French; non French speakers may find the DeepL online translater useful. 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