Music keynote at EURO2018, the largest European Conference for Operational Research and Management Science, in Valencia, Spain.
Videos
Arrhythmia Suite world première @ Stanford CCRMA Music and the Brain Symposium
Livestream of concert with world premiere of the Arrhythmia Suite at the 2018 Music and the Brain Symposium at Stanford’s CCRMA.
Revealing the Thinking Behind Performance in New Thoughts on Piano Performance
Chew, E. (2017). From Sound to Structure: Synchronising Prosodic and Structural Information to Reveal the Thinking Behind Performance Decisions. In C. MacKie (ed.): New Thoughts on Piano Performance: Research at the Interface between Science and the Art of Piano Performance. Kindle Amazon. ISBN 978-164007055-4. Abstract: How a performer hears a piece is the determining factor […]
Music Perception BKN Special Issue: Tipping Points
Chew, E. (2016). Playing with the edge: Tipping points and the role of tonality. In Stephen McAdams, David Temperley, Alexander Rozin (eds.): Milestones in Music Cognition Special Issue, Music Perception, 33(3):344-366
Music Theory Online: Listening as a Creative Act
Smith, J. B. L., I. Schankler and E. Chew (2014). Listening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances. Music Theory Online 20.3.