The NMES comms undercover agents Lizzie Ellen and Emily Pulham report on their HeartFM experience on instagram and twitter
Fancy having your blood pressure taken and continuously monitored while listening to music ? This is the study for you !
Announcing launch of CosmoNote, featuring Glenn Gould’s 1955 performance of Goldberg Variations: Aria and the first seven variations
ENS CDSN doctoral fellow Paul Lascabettes is among the STMS doctoral students presenting research at end of first year at the « Journée des doctorantes et des doctorants »
Do you find complex, contemporary music difficult and alienating? Would that change if you could control the tempo of the music? Emily Graber’s Marie Curie Fellowship EAR STRETCH aims to increase appreciation for contemporary music by providing active tempo control with physiological monitoring
Daniel Bedoya and Paul Lascabettes gave presentations at the STMS Lab’s Doctoral Student Day
Three versions of Boulez’s Fragment d’une ébauche, dedicated to Jean-Marie Lehn in 1987 on the occasion of his Nobel prize in Chemistry.
Digital première of MorpheuS’ Eine neue “Für Elise” set for 15 December 2020 at 12h15 GMT, in first earth hour of Beethoven’s 250th birthday
Emma Frid and project on “Accessible digital musical instruments – Multimodal feedback and artificial intelligence for improved musical frontiers for people with disabilities”
Brigitte d’Andrea-Novel and Elaine Chew play Londonderry Air on two pianos between Paris and London for World Piano Day 2020 during the COVID-19 lockdown, with brief introductions to the tune and to playing over the Internet.