Elaine Chew speaks on Music & the Heart: A Math-Tech Perspective, RNCM Sir John Manduell Research Forum hosted by PRiSM Director Emily Howard
How do performers make listeners hear prominence and segmentation? Read about our citizen science paradigm for capturing such prosodic info
Elaine Chew gives a demonstration of arrhythmia music and music-induced cardiac response at Les Rencontres Lyonnaises de Cardiologie
Emily Graber presents contemporary music tapping demo with physiological sensors at 2022 IRCAM Forum Workshop: 14h30 CET @ Studio 5
Elaine Chew gives keynote on music and cardiology at the Paris Lodron Universität Salzburg / Universität Mozarteum in Austria at 18h00 CET on 17 March 2022.
Announcing launch of CosmoNote, featuring Glenn Gould’s 1955 performance of Goldberg Variations: Aria and the first seven variations
Sci Am OpEd asserting that music’s structural attributes and physiological effects make it an ideal tool for learning cardiology; studying heart-brain interactions; and dispensing neuro-cardiac therapy
Was Beethoven’s possible arrhythmia responsible for his distinctive rhythms? Learn about ventricular ectopics and the making of Arrhythmia Suite, III., from his Fifth Symphony
Are arrhythmia inherently musical? What does arrhythmia feel like? Listen to these musical renditions of snippets of ECG from a patient with atrial fibrillation and other rhythm disturbances and judge for yourself.
Digital première of MorpheuS’ Eine neue “Für Elise” set for 15 December 2020 at 12h15 GMT, in first earth hour of Beethoven’s 250th birthday