Elaine Chew was co-organiser and performer and Mateusz Soliński an Early Career presenter at Mathemusical Encounters in Singapore
Conferences
Mathemusical Encounters in Singapore: when music meets math and medicine
Mateusz Soliński presents computational models of musicians’ physiological response to music at Mathemusical Encounters in Singapore’s Early Career Researcher Session
Piano-AI Dialog and Heart-Breath Visuals in Mystery Machines at MES2024
Elaine Chew and Gérard Assayag present Elez / Boulaine with Somax2 and HeartFM at the closing concert of Mathemusical Encounters in Singapore
MES2024: Roundtable on the Diderot Forum Legacy and Future Perspectives
The roundtable at the Mathemusical Encounters in Singapore on the Diderot Forum Legacy took place on Thursday, 22 February 2024, from 15h30 to 17h30. As described on the Institute for Mathematical Sciences website: “Under the auspices of the European Mathematical Society the Fourth Diderot Mathematical Forum, dedicated to “Mathematics and Music”, took place simultaneously in […]
Announcement: Mathemusical Encounters in Singapore
A preview of the scientific programme for MES2024, to take place 19-23 February in Singapore at the Yong Siew Toh Conservatory of Music
Falling Walls Breakthrough Day : Breaking the Wall to Musical Medicine
Four thrilling days at the Radialsystem in Berlin for the Falling Walls Science Summit Breakthroughs of the Year
Best Poster Award at Computing in Cardiology 2023
Mateusz Soliñski wins Best Poster Award at Computing in Cardiology for posters and papers by Soliński, Courtney Reed, Elaine Chew
The Psychophysiology of Music: Society for Psychophysiological Research President’s Symposium
Elaine Chew speaks on Music and the Heart on World Heart Day at President’s Symposium at SPR annual meeting
Performer-centered Keynote at International Conference on AI and Musical Creativity
Elaine Chew gives keynote on Performer-centered AI and Musical Creativity and joins Industry Panel at AIMC 2023 in Brighton
ECG and EEG Decoding of Music Amplitude in Baroque and Contemporary Classical Music
Emily Graber compares music amplitude decoding from EEG alone, ECG (RR) alone, and EEG+ECG for baroque and contemporary classical music