Working on MIR rhythm analysis techniques for arrhythmia ECG sequences at the inaugural Women in Music Information Retrieval (WiMIR) workshop
Author: E C
WiMIR Workshop 2018 @ Télécom ParisTech
Prof. Chew will be leading an investigation on applying music information retrieval (MIR) rhythm analysis techniques to arrhythmia ECG sequences (details below) at the inaugural WiMIR (Women in MIR) Workshop to take place at Télécom ParisTech on 28 September 2018. The workshop is scheduled to follow the annual ISMIR (International Conference on MIR) conference in Paris 23-27 September 2018. […]
Music & Science: Notating Music and Heart Rhythms
Links between music rhythms, performed timings and arrhythmia now in inaugural volume of Music & Science (open access) edited by Ian Cross
Optimization and Music Data Science Keynote @ EURO2018 Valencia Spain
Music keynote at EURO2018, the largest European Conference for Operational Research and Management Science, in Valencia, Spain.
MazurkaBL: Loudness and beat data for 2000 Chopin Mazurkas @ TENOR 2018
Kosta, Katerina, Oscar F. Bandtlow, Elaine Chew (2018). MazurkaBL: Score-aligned loudness, beat, and expressive markings data for 2000 Chopin Mazurka recordings. In Proc. TENOR, 24-26 May 2018, Montreal, Canada.
Revealing the Thinking Behind Performance in New Thoughts on Piano Performance
Chew, E. (2017). From Sound to Structure: Synchronising Prosodic and Structural Information to Reveal the Thinking Behind Performance Decisions. In C. MacKie (ed.): New Thoughts on Piano Performance: Research at the Interface between Science and the Art of Piano Performance. Kindle Amazon. ISBN 978-164007055-4. Abstract: How a performer hears a piece is the determining factor […]
Automatic Interpretation of Music Structure Analysis @ ISMIR 2017
Smith, J. B. L., and E. Chew. 2017. Automatic interpretation of music structure analyses: A validated technique for post-hoc estimation of the rationale for an annotation. Proceedings of the International Society for Music Information Retrieval Conference. Suzhou, China. 435–41. Annotations of musical structure usually provide a low level of detail: they include boundary locations and […]
The Spiral Array Tension Model @ TENOR 2016
Herremans D., Chew E. (2016). Tension ribbons: Quantifying and visualising tonal tension. In Proceedings of the Second International Conference on Technologies for Music Notation and Representation (TENOR), 27-29 May 2016, Cambridge, UK. Tension is a complex multidimensional concept that is not easily quantified. This research proposes three methods for quantifying aspects of tonal tension based on […]
Music Perception BKN Special Issue: Tipping Points
Chew, E. (2016). Playing with the edge: Tipping points and the role of tonality. In Stephen McAdams, David Temperley, Alexander Rozin (eds.): Milestones in Music Cognition Special Issue, Music Perception, 33(3):344-366
Music Theory Online: Listening as a Creative Act
Smith, J. B. L., I. Schankler and E. Chew (2014). Listening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances. Music Theory Online 20.3.