Had a blast with Christopher and Colleen Catania of the Live Fix Podcast on the tremendous and profound impact live music has on our hearts and human physiology. Don’t miss the part where Colleen asks what would happen if the hearts of two concert fans were transplanted and swapped.
Press
Undercover Agents from NMES comms check out the HeartFM study
The NMES comms undercover agents Lizzie Ellen and Emily Pulham report on their HeartFM experience on instagram and twitter
HEART.FM featured in HORIZON, the EC science & innovation magazine
Article featuring two European projects, HeartFM and GOING VIRAL, about music and medicine in the 1600s and today
Behind the scenes: ARTE.TV 42, La réponse à presque tout : Entendons-nous tous pareil ?
Behind the scenes in the filming of ARTE’s 42, La réponse à presque tout (the answer to almost everything) episode on sound and hearing
Emma Frid KTH News Interview: Music for all – according to need
Christer Gummeson interviews Emma Frid on her Swedish Research Council postdoctoral fellowship project for KTH News
Emma Frid Featured in the WoNoMute Interview Series
Emma Frid speaks to Karolina Jawad on her work on sound and music interfaces designed to promote health and inclusion
Unlocking the therapeutic power of music through mathematics (in French)
“Libérer le pouvoir thérapeutique de la musique grâce aux mathématiques” de la collection “Comment le ERC a transformé la science” en français
New release: Le Piano Virtuose Trailer
The CNRS has released a tongue-in-cheek “trailer” for the CNRS Images short film about the Cosmos project, “Le Piano Virtuose,” on its Zeste de Science YouTube channel.
Cosmos featured in the European Research Council’s celebration of 10,000 grantees
Today, the ERC celebrates 10,000 grantees. We are grateful to be one of the 10,000 grantees, and one of the 15 stories featured on how the ERC transformed science
CNRS le journal / Le Monde: Le piano virtuose
“CNRS le journal” has published the video on our work, “Le piano virtuose”, in partnership with the French newspaper “Le Monde”. Many thanks to Pierre de Parscau for the fine cinematography and editing, and Nicolas Baker for the excellent production!