Livestream of concert with world premiere of the Arrhythmia Suite at the 2018 Music and the Brain Symposium at Stanford’s CCRMA.
Videos
Revealing the Thinking Behind Performance in New Thoughts on Piano Performance
Elaine Chew authors a chapter on synchronising prosodic and structural information to reveal the thinking behind performance decisions
Music Perception BKN Special Issue: Tipping Points
Chew, E. (2016). Playing with the edge: Tipping points and the role of tonality. In Stephen McAdams, David Temperley, Alexander Rozin (eds.): Milestones in Music Cognition Special Issue, Music Perception, 33(3):344-366
Music Theory Online: Listening as a Creative Act
Smith, J. B. L., I. Schankler and E. Chew (2014). Listening as a Creative Act: Meaningful Differences in Structural Annotations of Improvised Performances. Music Theory Online 20.3.