A preview of CosmoNote, our citizen science platform for marking performed structures, at CitSciVirtual 2021
Publications
Corentin Guichaoua is an organizer of JIM2020 in Strasbourg
Corentin Guichaoua is an organizer of the Journées d’Informatique Musicale (Computer Music Days) – JIM 2020 – Conference 25-28 Oct 2020 in Strasbourg.
Cardiac Response to Live Music Study on EHRA Essentials 4 You
Cardiac Response to Live Music Performance presentation for EHRA 2020 live on EHRA Essentials 4 You portal of the European Heart Rhythm Association, branch of the European Society of Cardiology.
Music Information Research @ Computing in Cardiology 2019 Singapore
Three papers presented at Computing in Cardiology 2019 in Singapore. Applying music information research to cardiovascular science. Arrhythmia Suite featured at conference banquet.
Music & Science: Notating Music and Heart Rhythms
Links between music rhythms, performed timings and arrhythmia now in inaugural volume of Music & Science (open access) edited by Ian Cross
MazurkaBL: Loudness and beat data for 2000 Chopin Mazurkas @ TENOR 2018
Kosta, Katerina, Oscar F. Bandtlow, Elaine Chew (2018). MazurkaBL: Score-aligned loudness, beat, and expressive markings data for 2000 Chopin Mazurka recordings. In Proc. TENOR, 24-26 May 2018, Montreal, Canada.
Revealing the Thinking Behind Performance in New Thoughts on Piano Performance
Elaine Chew authors a chapter on synchronising prosodic and structural information to reveal the thinking behind performance decisions
Automatic Interpretation of Music Structure Analysis @ ISMIR 2017
Smith, J. B. L., and E. Chew. 2017. Automatic interpretation of music structure analyses: A validated technique for post-hoc estimation of the rationale for an annotation. Proceedings of the International Society for Music Information Retrieval Conference. Suzhou, China. 435–41. Annotations of musical structure usually provide a low level of detail: they include boundary locations and […]
The Spiral Array Tension Model @ TENOR 2016
Herremans D., Chew E. (2016). Tension ribbons: Quantifying and visualising tonal tension. In Proceedings of the Second International Conference on Technologies for Music Notation and Representation (TENOR), 27-29 May 2016, Cambridge, UK. Tension is a complex multidimensional concept that is not easily quantified. This research proposes three methods for quantifying aspects of tonal tension based on […]
Music Perception BKN Special Issue: Tipping Points
Chew, E. (2016). Playing with the edge: Tipping points and the role of tonality. In Stephen McAdams, David Temperley, Alexander Rozin (eds.): Milestones in Music Cognition Special Issue, Music Perception, 33(3):344-366