Paul Lascabettes and Daniel Bedoya attended the SMC 2022 conference held at Saint-Étienne, France from June 8th to June 11th.
SMC-22 (Sound and Music Computing) is a multifaceted event around acoustics, music, and audio technology. This year, it had the following theme: Music Technology and Design. As the first “in person” edition of SMC after 2 years of COVID-19 pandemic, the conference aimed at widening the public of this event by (i) broadening the scope of SMC concerts through a digital art festival opened to the public, (ii) involving local schools and publics, and (iii) strengthening connections between academia and the industry. SMC-22 combined a Summer School, the International Faust Conference, the SMC Scientific Conference, Industry-Oriented Events, a Festival, and a STEAM (Science Technology Engineering Arts and Mathematics) Fair – “Faites du son!”. SMC-22 was organized by the ECLLA Lab at Université Jean Monnet of Saint-Étienne, the French Institute for Research in Computer Science and Automation (INRIA) and GRAME – Centre National de Création Musicale, in collaboration with various local partners.
Paul Lascabettes presented “Generating Multiple Hierarchical Segmentations Of Music Sequences Using Adapted Correlative Matrices“. (Describe presentation/paper). You can watch the full presentation here and read the paper using this link.
Lascabettes, P., Guichaoua, C. & Chew, E. (2022). Generating multiple hierarchical segmentations of music sequences using correlative matrices. In Proceedings of Sound and Music Computing SMC-22, St. Etienne, France.
Daniel Bedoya Presented “Creating Experiments with Cosmonote: Advancing Web-Based Annotations for Performed Music“. This demo highlights the flexibility of CosmoNote’s reconfigurable interface, features, and toolsets to design experiments to advance knowledge in music science, music perception, and music expressiveness. Through the selection and manipulation of three documents: pieces, collections and user roles, CosmoNote’s features can be tailored to investigate diverse research questions about experimental design for music audio-based annotations. You can watch the full presentation here and read the paper using this link.
Bedoya, D., Fyfe, L. & Chew, E. (2022). Creating Experiments With CosmoNote: Advancing Web-based Annotations For Performed Music. In Proceedings of Sound and Music Computing SMC-22, St. Etienne, France.
